30pt Cheltenham U/L punctuation and figures.  ( 7.7 KG)  (17 lbs)
It is 30pt.
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When combing shipping this new platform (Wix) doesn't recognize a weight past (29 kg or 66 lbs). Please choose the appropriate weight of the combined products. This one being (7.7 kg)  (17 lbs). The information can be found at checkout under shipping information. I must stress that the appropriate weight class must be used or a refund is all you'll get and someone else could have that product you need. If you require help (Ask for a Quote). cookkettlepress@gmail.com my other contact info is on the site.
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The first comprehensive type family. Designed by Bertram Goodhue, assisted by Hannibal Ingalls Kimball, director of the Cheltenham Press, who suggested and supervised the face. [Frazier 1925] Further refined by ATF’s chief designer Morris F. Benton (some sources suggest Joseph W. Phinney). Trial cuttings were made as early as 1899, but it was not completed until about 1902, and patented in 1904 by Kimball. Benton produced Cheltenham Bold in 1904 and a score of variations up to 1913. Linotype, Monotype, and Ludlow each have duplicates of a dozen or more Cheltenhams, while Intertype has the same under the name Cheltonian.
ATF produced 23 styles in total: Cheltenham Oldstyle w/ Oldstyle Italic (incl. swash alts) and Bold (1904), Bold Italic, Bold Condensed, Bold Outline, and Wide (1905), Bold Condensed Italic, Bold Extra Condensed, and Bold Extended (1906), Bold Extra Condensed Title, Inline, Inline Extra Condensed, and Inline Extended (1907), Medium w/ Medium Italic and Oldstyle Condensed (1910), Extrabold, Bold Shaded w/ Bold Shaded Italic (1912), Medium Condensed, Medium Expanded, and Extrabold Shaded (1913) [Reichardt 2011]. Additions by others include Robert Hunter Middleton’s Cheltenham Cursive (swash caps) for Ludlow, Sol Hess’s Wide Italic for Monotype, Linotype’s Extra Condensed Italic, and Intertype’s Cheltonian Medium Condensed Italic.
 
Very successful and imported/copied by many foundries (w/ varying style ranges), including by Barnhart Brothers & Spindler, FTF, Typefoundry Amsterdam, Ludlow, Weisert, Pavyers & Bullens, Sunity, Caslon (as Cheltenham Old Style), Fonderie Olive (as Americaines Nouvelles), Slévárna písem (as Anglický Medieval), Nebiolo (as Bodonia), Western Type Foundry (as Chesterfield), Wimble (as Christchurch Old Style), Hansen (as Craftsman Old Style), Van Loey-Nouri (as Gauloises), (English) Monotype (as Gloucester), Woellmer and Idźkowski (as Lessing-Antiqua), Schriftguss (as Pfeil Antiqua), Fondografica (as Piave), Gujarati (as Ranada), Vanderborght (as Renaissance), Flinsch (as Roosevelt), Stevens, Shanks (as Sandringham Old Style), Fausto Gallico (as Serie Savoia), AG für Schriftgießerei u. M. (as Titus), Klinkhardt and later Berthold (as Toskana), Roos & Junge (as Union), Gans (as Veneciana), and Pierallini (as Serie Verona) [Reichardt 2011] [Wetzig 1926–40].